Article
【LP review】水鏡 Suikyō
by Michel
Henritzi
Published in revue & corrigee.
( 2024 Feb)
2023 Aux premières notes on songe à Morton Feldman à l’écoute de l’ouverture de « Suikyo », cette façon de dilater et ralentir l’écoulement du temps, surtout dans la façon qu’à Masubuchi de poser ses notes sur le manche de sa guitare・・・
【LP review】水鏡 Suikyō
by Jon Dale
Suikyō documents a first-time meeting between three Japanese improvisers: Takashi Masubuchi on guitar and harmonica; Ayami Suzuki on voice and electronics; and Tomo on hurdy-gurdy. Recorded at Permian on the 29th of January, 2023, ・・・
【Bandcamp review】OP. 8 (GUITAR DUET)
by Michel
Henritzi
Published in revue & corrigee.
( 2023 Sep)
Noël Akchoté invite dans son salon virtuel le guitariste Takashi Masubuchi pour un duo où le jazz revêt d’autres formes, inattendues et neuves. Il y a ces grilles d’accords qu’on croit reconnaître, ses doigtés rémanents, qui se fondent l’un ・・・
【Casette review】FeatherLand
by Michel
Henritzi
Published in revue & corrigee.
( 2023 June)
on songe à Joséphine Forster ou Kathy Bloom, à ce folklore ancré dans les grandes plaines de l’americana, qui n’est pas dans la reproduction revivaliste du folk des 60/70s, ・・・
【Bandcamp review】Improvisation at Permian
by Michele Palozzo
Falling back on its own reminiscences and assailed by the anxiety of the future, it seems that Western culture has never really known the present moment: it is, besides, a time that verges on non-existence, constantly stretched between intention and action,・・・
【Bandcamp review】Stick to my skin
by Michel
Henritzi
Published in revue & corrigee.
( 2022 September)
évoque très nettement Taku Sugimoto, celui de l’album « Opposite », un même rapport au temps, au silence, à l’ombre. Une même parenté avec Morton Feldman. ・・・
声／息の白い靄の中で −−−− 2022/01/03鈴木＋増渕＋津田＠Permian ライヴ・レヴュー In the Mist of Voices / Breaths −−−− Live Review of Ayami Suzuki, Takashi Masubuchi, Takashi Tsuda@ Permian, 3rd Jan.2022
By Keiichi Fukushima
１．前半 空調が止められ、客席の明かりが消されると、すっと沈黙が張り詰める。鈴木は眼を閉じ、唇を少しだけ開いている。増渕が一音だけ発する。硬質の澄み切った響きが空間に広がっていく。・・・
【CD review】 Live at OTOOTO and Perimian
by Jon Dale
On Live At OTOOTO & Permian, two guitarists from Japan, Taku Sugimoto and Takashi Masubuchi, ask a series of unresolved questions – about time, about interplay, about tonality. Those who know Sugimoto’s music will recognise here a certain tension, ・・・
【在り続ける即興音楽】橋本孝之 Takayuki Hashimoto・増渕顕史 Takashi Masubuchi@不動前Permian 2020.7.11 sat
By Takeshi Goda
新型コロナウィルス緊急事態宣言にともなう自粛期間のあいだ、一切のライヴコンサートが開催されず鬱々とした気分で2ヶ月以上過ごしたのは筆者だけではあるまい。・・・
Interviewed by Zoomin’ Night
by Zhu Wenbo and Zhu Songjie
1．Maybe you could introduce yourself first. How old are you? When did you start playing guitar, and when did you start playing this kind of music? I mean, quiet, with blank and some special skills, beautiful improvisation music.・・・
【CD review】R,R,R
by Andy
Hamilton
Published in 419 of The Wire ( 2018 December)
40 minutes of spare.haunting solo acoustic guitar. recorded at Tokyo’s new music hub Ftarri Born in 1984 Masubuchi began playing electric guitar in rock groups. but now focuses on acoustic. ・・・